Films Restored By The Film Foundation Fix Online

Before examining the jewels, one must understand the urgency. In the late 1980s, Scorsese was horrified to learn that the original color negatives of Michael Powell and Emeric Pressburger’s The Red Shoes (1948) had begun to fade and shrink. If nothing was done, one of the most visually stunning Technicolor films ever made would become a pink, blotchy mess. Scorsese rallied the industry, forming TFF to partner with archives like the Museum of Modern Art (MoMA), the UCLA Film & Television Archive, and the Cinémathèque Française.

of restoring specific types of film (e.g., nitrate vs. acetate). films restored by the film foundation