When a relationship moves too fast, it feels fake; too slow, it’s boring.
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If you tell me you're writing (e.g., fantasy, contemporary, sci-fi) or what the specific conflict is, I can offer more tailored advice on how to improve the romantic tension!
Mara found a sofa with sharp lines, a deep charcoal grey, firm cushions. It was aggressive. It was uncomfortable. It was entirely "her."
They fought more now, but it was different. It wasn't passive-aggressive sniper fire. It was loud, messy, and ended in laughter or apologies that actually meant something.
The success or failure of the romance must actively impact the external plot, and vice versa.
Remove the "misunderstanding" and replace it with fundamental, irreconcilable differences.