Women who faced systemic barriers earlier in their careers are now leveraging their industry power to build their own production companies. Reese Witherspoon’s Hello Sunshine, Frances McDormand’s active role in producing her own projects, and Ava DuVernay’s ARRAY are prime examples of entities dedicated to optioning books and developing scripts that center on diverse, multi-dimensional female characters. When mature women hold the financial and creative reins, the stories produced naturally reflect a more realistic, respectful, and sophisticated view of aging. Changing Consumer Demographics and Economic Power
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For decades, Laura Mulvey’s seminal theory of the male gaze posited that women in film exist to be looked at, carrying the burden of "to-be-looked-at-ness." This paradigm functions seamlessly for the young female body, which is culturally coded as pliable and desirable. However, what happens when the body ages? When the face maps a history of experience through wrinkles, and the body refuses the tight choreography of the ingénue? Women who faced systemic barriers earlier in their
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