For decades, Japanese dramas and films idealized the mother as the emotional and logistical anchor of the household. However, by 2017, the economic necessity of dual-income families had become undeniable. Entertainment reflecting this shift—such as the popular drama Overprotected Kahoko (2017) and films like Her Love Boils Bathwater —showed mothers not just as caregivers but as entrepreneurs, part-time workers, and even divorcees reclaiming their lives. The "2017 mom" on screen was often tired, realistic, and occasionally selfish, a stark contrast to the serene figures of the 1980s.

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