Rumors among Turkish film historians suggest that this particular collection includes behind-the-scenes footage ( kamara arkası ) from the set of a lost 1982 film. This footage shows Dilber Ay teaching Levent Gürsel a traditional dance, while Zerrin Doğan watches from the side, improvising a dialogue scene that never made the final theatrical cut.
Gürsel’s most famous role is opposite Zerrin Doğan in . He also played "Metin" in Ateşli Kız (1979) and had roles in Dişi Köpek (1980), Kızı da Anası Gibi (1980), and Büklüm Büklüm (1979). Notably, his name is sometimes misspelled as "Levent Günsel" in databases (such as Wikipedia). For collectors of "45 exclusive" content, Levent Gürsel is a vital protagonist, representing the gritty, urban male archetype of late-70s Turkish exploitation cinema. Rumors among Turkish film historians suggest that this
: Modern music producers worldwide actively look for rare Turkish psych-rock, arabesque, and B-movie soundtracks from 45s to sample in hip-hop, electronic, and psych-rock music. He also played "Metin" in Ateşli Kız (1979)
The primary figures associated with this niche "45 Exclusive" retrospective bring vastly different energies to the screen: : Modern music producers worldwide actively look for
Zerrin Doğan’s name is inseparable from the 1979 film (Such a Woman). Directed by Naki Yurter, this film co-starring Levent Gürsel, is widely considered the first full-length Turkish film to feature hardcore pornographic scenes. Beyond this landmark title, her filmography includes a torrent of exploitation films produced between 1978 and 1979, such as Aşkın Kanunu , Oohh Oh , El Bebek Gül Bebek , and Hırsız Milyoner . She also starred in Kahpe (1979) and İyi Gün Dostu (1979).