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Under President Suharto’s Orde Baru (New Order, 1966-1998), entertainment was a double-edged sword. The state used it for propaganda—films like Pengabdi Setan (1980, later remade into an international horror hit) were initially seen as apolitical. But the regime’s censorship was suffocating. The film industry collapsed in the early 1990s, unable to compete with Hollywood and Hong Kong imports, and burdened by a lack of creative freedom.

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