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No discussion of cinema’s dark take on mothers and sons is complete without Alfred Hitchcock’s Psycho (1960). Though Norma Bates is physically dead for the duration of the film, her psychological presence is absolute. Norman Bates internalizes his mother's puritanical, controlling voice to the point where he adopts her persona to commit murder. Psycho established a cinematic trope of the "devouring mother"—a maternal figure whose inability to let her son grow results in madness and violence.

In many stories, the mother is a pillar of strength, often navigating hardship to protect her son’s future:

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Great art doesn't tell mothers to hold on tighter or let go sooner. It simply asks us to look at the boy, look at the woman, and see the invisible string that ties them together—for better, or for the most haunting kind of worse.

In both cinema and literature, the mother-son relationship is often portrayed as No discussion of cinema’s dark take on mothers

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a powerful, complex, and emotionally charged bond that ranges from fiercely protective to deeply dysfunctional Psycho established a cinematic trope of the "devouring

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